Check out the latest resources…

The Hamilton Music Awards, Conference and Festival has become one of Hamilton’s most important annual musical events and Canadian MusicianMusic Books Plus will on site Thursday, May 21, 2015. Be sure to stop by and say hello and browse all the latest resources available to artists. Check out the conference schedule at




And the bestsellers are…


Thank you for everyone who dropped by our booth at Canadian Music Week – I hope you had a great show. It was great to see and catch-up with so many old friends and incredible meet  the up-and-coming talent in our industry.

If you were not able to attend,  here is a list of our Top 10 Bestsellers from the show for you to check out. We are also offering a 10% Discount on all orders placed from now to Midnight May 29th. Please use Coupon Code: May2015 at time of checkout and discount will  be applied. (Shipping & Handling and Tax are Extra).

1.  All You Need To Know About the Music Business, Canadian Edition

2. A Career in Music – The Other 12 Step Program

3. Murphy’s Law of Songwriting – THE BOOK

4. Social Media Promotion For Musicians

5. Start You Up: Rock Star Secrets to Unleash Your Personal Brand

6. Music Law Handbook for Canada

7. The Music Management Bible, Revised Edition

8. Music, Money and Success, 7th Edition

9. The Plain & Simple Guide to Music Publishing – 3rd Edition

10. Rhyming Dictionary

Don’t forget to sign up for our e-newsletter to receive notification on daily/monthly deals and special offers.


Canadian Music Week – Meet the Authors

CMW-author4Norris-Whitney Communications will be exhibiting in Booth 111 on the Lower Concourse, The Sheraton Centre at Canadian Music Week. Show hours are May 7, 8 and 9 from 9:00 AM to 6:00 PM. We are looking forward to seeing old friends and meeting new ones at Canadian Music Week 2015 so make sure to stop by for a visit and quick “hello”.

Music Books Plus will be offering special prices on an extensive selection of books on songwriting, recording, social media, digital marketing, business, touring and much more.

Music Books Plus features “Meet the Authors”, a chance to network with many of CMW’s internationally known speakers and pick up an autographed copy of their book.


  • Brian Solis – 10:00 a.m.
  • Jason Miller – 12:30 p.m.
  • Gary Schwartz – 2:30 p.m.
  • Hessie Jones – 5:00 p.m.


  • Scott Timberg – 11:15 a.m.


  • Bob D’Eith – 12:00 p.m.
  • Todd & Jeff Brabec – 1:00 p.m.
  • Ralph Murphy – 5:00 p.m.

We’ll also be covering CMW in real time through our social media channels. Follow the conversation by using #CMCMW and #MBPCMW and following us @cdnmusician and @musicbooksplus

Visit us at Expo Scene 2015

Music Books Plus will be presenting  a great selection of books on live sound, pro audio, lighting, rigging, trussing, theatre and more at special show prices during EXPO-SCENE, Canada’s largest production trade show – March 26 and 27 at the Palais de Congres in Montreal. Music Books Plus will be exhibiting at Booth 450.

For more information, visit
On hand will be complimentary issues of Professional Sound and Professional Lighting & Production.

Norris-Whitney Communications is proud to be a media sponsor of EXPO-SCENE, Canada’s largest production trade show – March 26 and 27 at the Palais de Congres in Montreal.

Happy St. Patty’s Day, Sláinte mhaith!

MBP stpattys“All the world’s a stage and most of us are desperately unrehearsed.” – Sean O’Casey

With St. Patty’s Day just around the corner…get ready to get your Irish on with Music Books Plus. We’ve put together our best collection of music books and resources to help you celebrate like the Irish folk! Whether you need a book of Irish Pub Songs, you’re looking for the Top-Requested Irish Sheet Music, you’ll find them at Music Books Plus. If you were hoping to brush up on your recorder or guitar skills before the grande celebration…we suggest titles like, 30 Irish Tunes for Easy Recorder  or Irish Music for Flatpicking Guitar Made Easy. Browse the Feature Products section now to find everything you need to celebrate like the Irish.

Happy St. Patrick’s Day, Sláinte mhaith!


NEW to the Music Books Plus Lineup

Music Books Plus is excited and please to add to our current list of resources the Lang Lang Piano Academy, Mastering the Piano.

lang-lang-piano-academy-mastering-the-piano-level--5 The Lang Lang Piano Academy encompasses a range of resources – printed books and digital products – for pianists of all levels, from beginners to advanced players, through which Lang Lang shares the secrets of his piano technique. Mastering the piano is the first series of books to be launched in the Lang Lang Piano Academy, a major new piano program encompassing a range of materials for pianists of all levels. Comprising five progressive books, mastering the piano captures Lang Lang’s passion, drive and extraordinary mastery of the piano. Each book gives students the chance to learn from this exceptional talent who has impressed the world.

Lang Lang Piano Academy: mastering the piano, Level 1(approximately equivalent to Grade 1/Early Elementary) includes exploring the keyboard, feeling the beat, legato playing, staccato playing, developing dexterity, playing chords, the left hand, and playing with dynamics.

Lang Lang Piano Academy: mastering the piano, Level 2 (approximately equivalent to Grade 2/Elementary) includes exploring the keyboard, hand coordination, rhythmic control, phrasing, developing dexterity, finger control, the left hand, and dynamics.

Lang Lang Piano Academy: mastering the piano, Level 3 (approximately equivalent to Grade 3/Late Elementary) focuses on exploring the keyboard, developing dexterity, the pedal, strengthening your hands, chords, playing in new keys, independent fingers, and independent hands.

Lang Lang Piano Academy: mastering the piano, Level 4 (approximately equivalent to Grade 4/Early Intermediate) includes posture, movement and hand shape, legato pedaling, new accompaniment styles, more on chords, more on rhythm, musical context, phrasing and rubato, and dexterity.

Lang Lang Piano Academy: mastering the piano, Level 5 (approximately equivalent to Grade 5/Intermediate) includes developing dexterity, instinctive pedaling, refining the touch, phrasing and rubato, character, ornamentation, interpretation and style, and performing.

Let Music Books Plus help you find the right resources to advance your skills. Order online TODAY or call 1-800-265-8481.lang_lang2

Want a BIGGER sound?


Sometimes when recording, microphone placement can seem either too difficult or way too easy. As with most things in life, it’s really somewhere in the middle, but sometimes it’s not very easy to get there. Here’s an excerpt from the Recording Engineer’s Handbook 3rd edition that shows 5 simple miking techniques that will help you get a bigger and more accurate sound.
811mUP7GxNL“Before you start swapping gear, know that the three most important factors in getting the sound you want are mic position, mic position and mic position. Get the instrument to make the sound you want to record first, then use the cover-your-ears technique to find the sweet spot, position the mic, then listen. Remember that if you can’t hear it, you can’t record it. Don’t be afraid to repeat as much as necessary, or to experiment if you’re not getting the results you want.

That said, the following are some general issues and techniques to consider before placing a mic:

  1. One of the reasons for close-miking is to avoid leakage into other mics, which means that the engineer can have more flexibility later in balancing the ensemble in the mix. That said, give the mic as much distance from the source as possible in order to let the sound develop, and be captured, naturally.
  2. Mics can’t effectively be placed by sight until you have experience with the player, the room you’re recording in, the mics you’re using, and the signal path. If at least one of these elements is unknown, at least some experimentation is in order until the best placement is found. It’s okay to start from a place that you know has worked in the past, but be prepared to experiment with the placement a bit since each instrument and situation is different.
  3. If the reflections of the room are important to the final sound, start with any mics that are used to pick up the room first, then add the mics that act as support to the room mics.
  4. From 200Hz to 600Hz is where the proximity effect often shows up and is one reason why many engineers continually cut EQ in this range. If many directional microphones are being used in a close fashion, they will all be subject to proximity effect. and you should expect a buildup of this frequency range in the mix as a result.
  5. One way to capture a larger than life sound is by recording a sound that is softer than the recording will most likely be played back. For electric guitars for instance, sometimes a small 5 watt amp into an 8 inch speaker can sound larger than a cranked full Marshall stack.

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Remember that it still comes down to what you’re hearing rather than what you’re looking at, but these 5 steps will help you get your sound in the ballpark quickly and easily.


This weekend, we’re showing our customers a little LOVE.


Happy Valentine’s Weekend from Music Books Plus! To celebrate we are offering our customers 25% off ALL items featured at
Use Coupon Code: valentine at checkout and the 25%* Discount will be automatically applied to all orders placed from now to midnight Monday, February 16th.

What is Intellectual Property Law?

headeIntellectual property law headerWhat is intellectual property? Why is it so relevant in today’s entertainment industry? How do you acquire intellectual property rights?

What is the difference between copyright, trademarks and patents and industrial designs? How long do these rights last? music lawDo you have to register your rights? This seminar will shed light on these and other questions. Spend an hour with Paul Sanderson, the author of “Musicians and the law Canada to be enlightened regarding intellectual property rights.

Paul Sanderson will be speaking at the following events:

February 11, 2015

Queen’s University Faculty of Law

Sports & Entertainment Conference 2015

Kingston, Ontario

February 20, 2015

Commons Institute Conference

The Entertainment Law Informer

Bond Place Hotel, Toronto, Ontario


February 29, 2015

Halifax, Nova Scotia

Artists’ Legal Information Society (ALIS) presents:

On the Edge of Now

Emerging Trends in Entertainment, Digital and IP Law

February 27-28, 2015

Halifax, Nova Scotia


March 13 & 14, 2015

Canadian Disc Jockey Association Conference

Downtown Hilton Hotel – March 13 to 15, 2015

Friday, March 13th – 4:45 to 6 p.m. – Legal Panel

Saturday, March 14th – 10 a.m. to 11 a.m. – Guest speaker

Busting Some Soundproofing Myths


tsbh_250Before you can look at some accepted ways to improve your isolation, it’s important to look at all the things that won’t work first. This excerpt from The Studio Builder’s Handbook (written with Dennis Moody) contains a list of various materials that you’ll often see attached to the walls of a space in hopes of increasing the isolation. The problem is that they won’t help very much at all.

Mattresses – There are so many things wrong with this that it’s hard to know where to start. Sure mattresses are made up of a lot of soft material, but it’s not the right kind for sound absorption, won’t affect the low frequencies at all (which are what causes most of the the isolation problems), accumulates mold and moisture, and makes nice homes for rodents and other unwanted critters. Plus, it’s pretty difficult to get enough of them to cover a room, and they take up so much space for so little benefit in return.

Egg Crates – Egg crates are light porous cardboard and do absolutely nothing for soundproofing. They can act as a sound diffusor at higher frequencies, but the bandwidth is so limited that they’re virtually useless there as well. Plus, they’re highly flammable! It’s difficult to find enough of them to cover a room, but frankly, even using one is too many.

Carpet – Carpet attached to the wall is another product that will affect the sound of the room yet do nothing in the way of soundproofing since it doesn’t affect the low frequencies, which are the ones that you’ve got to control for good isolation. Carpet has exactly the same problem as mattresses in that it will begin to smell over time. Old or new carpet makes no difference, except that older carpet will smell more.

Foam Rubber – Foam rubber does have some acoustical absorption properties, but once again will do very little for the low frequencies that will cause all of your problems with the neighbors. It’s can be as expensive as materials with real acoustic control properties, degrades over time, and will burn like crazy if given the chance.

Rubber – Floor matts, mouse pads, neoprene, or any other variation of rubber will do very little to stop sound coming or going from your room. Once again, it’s much cheaper to buy proper acoustic materials that are easier to work with, but they won’t help your isolation problem either.

Wall Cellulose – Pumping cellulose insulation into walls can make a slight difference, but it’s marginal since there are much more effective ways to improve the isolation that are much cheaper. It can be helpful if used along with some other techniques that we’ll soon go over, but isn’t particularly effective by itself.

Fiberglass Insulation – Common fiberglass insulation once again has little ability to stop enough of the low frequencies that bug your neighbors, although, like with blown cellulose, it can be useful in conjunction with other techniques. Just pinning it to the wall won’t help though, but it will affect the acoustics of the room. It’s also a skin and eye irritant, takes up a lot of space, and the dust can be hazardous to your lungs when left exposed. As you’ll soon see, there’s a much better way to use fiberglass for acoustic control (although it still won’t help with isolation much).

Plywood Panels – It’s true that plywood panels provide mass and mass is what’s needed to stop sound transmission (especially the low frequencies), but the problem is that wood transfers sound too well so the construction technique used is crucial. Not only that, if the panels are too thin they’ll resonate and vibrate, causing an even bigger problem.

Particle Board – See plywood panels.

Bales Of Hay – Unless you live out in the country, it’s unlikely that hay bales are much of an option, but they actually do work. The problem is that they take up a lot of usable space, make a nice home for critters, and are a major fire hazard. Not recommended

Acoustic Foam – Acoustic foam is helpful in controlling the acoustics within a room, but it does nothing to stop sound transmission and is expensive to boot. Acoustic foam doesn’t even begin to affect the offending low frequencies, and using too much just makes the room seem dead and uncomfortable. There are much cheaper ways to achieve a better result.

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Understand that all of these materials will have at least some affect on the sound of the room (which is covered in another chapter of the book), but will do almost nothing by themselves to help improve your isolation.